Individual instrument packs are priced at $59 USD. Actually, all the instrument packs are included, but the ones you have not either selected in the original registration or later purchased individually remain in demo mode (eight notes disabled). You respectively get two, three and four instrument packs with Stage, Standard and Pro. Pianoteq offers 21 different instrument packs which supply one or more specific instrument implementations (e.g., a particular grand piano, a duo of vibraphones, etc.). Upgrades from previous releases are available, priced per where you are coming from. Version upgrade prices are a straightforward difference between base prices. There are three versions of Pianoteq: Stage, Standard and Pro, priced respectively at $149 USD, $299 and $449. The demo download is good for an unlimited time, but eight notes are suppressed (none of them in the octaves immediately either side of middle C) and the software must be restarted every 20 minutes. The software may be installed on up to three computers. Activation is easy (and dongle-less) with an internet connection offline activation is supported. It also can be run as a standalone application. Pianoteq can be run as a hosted plug-in and is available in formats compatible with all current mainstream DAWs. In the next issue of Soundbytes Magazine, we’ll come back to take a look at the other available instruments – and there are a lot of them.įirst let’s dispense with the technical aspects and the pricing. In Part 1 of this review, we’ll look at the overall software and the modern pianos implemented with it. The sound quality available is extraordinary across the board. But Pianoteq is also well equipped to make the sounds of lesser pianos (both modern and historical), plucked string instruments (harpsichords and harps), tuned percussion (xylophones, vibraphones, and more), and several kinds of electric/amplified pianos. In Pianoteq magnificent concert grands are the star of the show – and there’s not one of them for which the term “magnificent” is inappropriate. An impressive amount of brainpower has gone into making this technology a reality. In fact, it you look at the About page of the Modartt web site, you might notice that five of the seven individuals introduced have “Dr.” in front of their name. It uses mathematical computational modeling to generate realistic musical instrument sound, a subject few mortals could even begin to understand. Until last year it was Modartt’s only product. First appearing in 2006, Pianoteq is now at version 7, released several months ago. Built-in graphic velocity curve with keyboard presets.Pianoteq is France-based Modartt’s flagship product. Built-in graphic equalizer with freely adjustable key points. Adjustable optional samples of acoustic noises (pedal and key release). It can be used successfully with a laptop (low hardware requirements). Sostenuto pedal, harmonic pedal and Una Corda (soft) pedal. Progressive sustain pedal, allowing partial-pedal effects. Adjustable spectrum profile, based on the first 8 overtones. Adjustable piano size (soundboard) and other similar parameters. Adjustable unison width (tuning) and other similar parameters. Adjustable hammer hardness (voicing) and other similar parameters. Real progressive variation of the timbre (127 velocities per note). No quantization noise (32-bit internal sampling at 48 KHz). It includes the entire complexity of a real piano (hammers, strings, duplex scale, pedals, cabinet). The piano sound is constructed in real time, responding to how the pianist strikes the keys and interacts with the pedals. It is in fact the first virtual piano factory - it can produce new brands as well as copies of historical instruments. Pianoteq is the first and only piano belonging to the fourth generation, developed in order to go beyond the limitations of the third generation and to become a versatile and innovating tool. It was followed in the 20th century by the second generation electro-acoustic pianos and the third generation sampled pianos where each note is a recording of how it sounded during a specific moment in time, not taking into account the complexity of the instrument. The first generation of pianos began with Cristofori's pianoforte in 1698 which came to maturity at the end of the 19th century with the acoustic grand pianos. Second generation: electro acoustic piano (1929) This is the very first, and only, piano available that belongs to this generation. Pianoteq is the result of an academic research and results in what we call the fourth piano generation.
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